Author: Lisa Walcott

  • Deflation Documented

    This was the part of the balloon sculptures that I really liked, but when I was making them last year, I never showed this part! I would exhibit the carcass of the deflation process keeping the interesting parts from the viewer. I have since done a 180 and entered into a phase of constant twitching,…

  • pink and pretty?

    This piece has transformed itself many times since it’s conception. It was going to be excerpts from “carefree” songs (such as those by Jack Johnson) with a torso-esque figure attached to the wall doing a shoulder dance. For awhile it was going to be powered by a tape player motor. I tried making an armature…

  • Tickle Torture

    That is not the official title of this work, I just needed to call it something so this is the working title. This piece which is 4x12x2.5″ consists of pepper, a feather, a wooden encasement with a motor inside. I was thinking about sensations when I made this piece. Tickling, sneezing, flitting…

  • Ludic

    : playful in an aimless way

  • Ceal Floyer

    A new inspiration/favorite artist. Ceal Floyer’s witty & poignant work hits on something I constantly am striving for. Her work is dryly poetic in the way of a John Updike short story, but lingers like a drip on the edge of a spout. (Yeah, I just made that up! Ha!) Anyway, her work is interesting.…

  • Gestural Objects

    (Artist Statement in progress…as always) “Large things tend to be unwieldy, clumsy, crude; smallness is the realm of elegance and grace.” -Steven Millhauser Smallness lends itself to being sweet and modest. It is not clouded by grandeur or overarching themes. It is simply what it is, but by being so poignant it is able to…

  • automatism

    I had a great converstation in my studio yesterday with our Critic in Residence, Lane Relyea. He was really good at deducing and understanding my work as a whole (not sculpture vs. drawing vs. photography). He pointed out surrealist tendencies that I have. Almost everything is based on real experience, but it is shifted in…

  • Monstrous Stories

    I like the way Annette Messager relates to memory of childhood. The desires and fears of children are so untainted that they seem like they would give us clues into the nature of things–of us. I saw a Messager on my trip to the Art Institute of Chicago and really liked it in person more…

  • Simultaneous Peripheral Observation

    In the space between tactility and language the beautiful and unassuming linger. They exist in the peripheral, weaving in and out of clarity, difficult to get a clear handle on, resistant to words. There is room for the mind to guess and imagine. With a skepticism in the ability of language to contain our bodily…

  • Plugged

    I woke up one morning last week and thought “I need to put ear plugs into holes in the wall”. This rarely happens to me when I am making things. Ideas usually develop over long periods of time with extended trains of thought. It’s a very small, florescent orange piece. Kind of big and small…